Request the Monuments Database
The weekly “Monday’s Monument” feature on this website is being fed from a database we are compiling that currently contains 200+ monuments. If you’d like a copy of the database, drop us a line.
Peace & Justice Monuments
Since May, 2015, every Monday morning the peaceCENTER has been posting a little essay about a peace or social justice monument. For more than a decade, ever since the peaceCENTER was contracted by a national peace & human rights group to develop a workshop exploring strategies for creating memorials about acts of violence and injustice that did not glorify the bloodshed, we have pondered the relationship between the landscape and civic memory.
“I would rather take care of the stomachs of the living than the glory of the departed in the form of monuments.”
As we showcase these monuments we hope you will join us in this exploration. For now, we’re concentrating on publicly accessible outdoor works (indoor art, museums and historic sites may come later . . . ) Some are grassroots and homespun; others, more complicated in their funding and execution. They all have a story to tell and we can learn from all of them.
The monument was dedicated on July 17, 1994, in remembrance of the killing of millions of Jews by the Nazis during World War II. It is set upon a base of six black granite Stars of David which represent the six million Jews who perished during the Holocaust. A central...read more
Memorial to the Six Million in Johannesburg’s Westpark Cemetery pays tribute to the Jewish men, women and children who lost their lives during the Second World War. The monument depicts six bronze fists, each five feet high, bursting out of the ground as a protest...read more
The Bells Monument (or, in Bulgarian, “Камбаните”) is in a park at the base of the Vitosha mountain. An inscription at the monument’s base reads, “Children of the future accept the eternal, fiery call of immortality - Unity, Creativity, Beauty.” When the UN declared...read more
L’arbre de l’espérance sculpture stands at the main entrance to the 26th centennial park in Marseille and was unveiled in 2000 as part of the 2,600 anniversary of the foundation of the city. 350,000 people of all faiths and none, native to Marseille or immigrants...read more
The sculpture sits on Trg Oslobođenje – Libertion Square – in the center of Sarajevo. It consists of a naked male figure reaching toward the sky, pulling the meridians of the earth together. Around him, doves help by lifting further meridians into place. The...read more
The Shaheed Minar (Bengali: শহীদ মিনার Shohid Minar lit. "Martyr Monument") commemorates those killed during the Bengali Language Movement demonstrations of 1952 in then East Pakistan. On 21 and 22 February 1952, students from Dhaka University and Dhaka Medical...read more
The Martyred Intellectuals Memorial (Bengali: বুদ্ধিজীবি স্মৃতি সৌধ) was built in memory of the martyred intellectuals of the Bangladesh Liberation War. The cornerstone was laid in 1991. On the night of 14 December 1971, over 200 of East Pakistan's intellectuals...read more
After WW I and the signing of the Treaty of Versailles, Cameroon, a German protectorate, was divided into two regions and put under French and British rule. In January 1960, French Cameroon became independent, British Cameroon, 10 months later. In 1972 the two...read more
The World Peace Prayer fountain sculpture, designed by Hank Kaminsky, was dedicated on New Years Eve 2002. It is a 10' diameter bronze sphere sculpted in a traditional way with the prayer "May Peace Prevail on Earth" in over 100 languages hand sculpted on the surface....read more
This neoclassical sculpture, also known as Angel of the Waters, features an eight-foot bronze angel who stands above four small cherubim representing health, purity, temperance, and peace. The angel herself carries a lily in one hand while the other remains...read more
A fountain called Earth — Planet of Peace (Zem - planeta mieru) is the centerpiece of Hodžovo Námestie (English: Hodžovo Square, in front of the Grassalkovich Palace. It was sculpted by Tibor Bártfay, Pavel Mikšík, and Karol Lacko and installed in 1982.read more
The original concept for the memorial was as a memorial for Vietnam Veterans but was changed to one which honored all those who died or were declared missing in wars fought from 1900 until now. The granite base surrounding the fountain now includes 5,558 names of...read more
The Peace Fountain was sculpted by the Episcopal Cathedral's Artist-in-Residence Greg Wyatt to mark the 200th anniversary of the Diocese of New York in 1985. The 40 foot-high bronze sculpture weaves together several representations of the conflict between good and...read more
Located in the middle of the popular Peace Plaza, it stands 12 feet high and is made of a circular tier of 57 life-sized interlocking bronze doves. They symbolize the 50 United States and the 7 major continents of the world. The three doves on top represent past,...read more
The memorial features a stone bench with wrought iron gating around a cobblestone circle. Scattered bronzes of common objects such as shoes, glasses, a teddy bear and a suitcase represent items left behind by those persecuted during the Holocaust. A cobblestone...read more
Ten Questions to Ask at a Historic Site
In his book Lies Across America, Professor James Loewen posed these ten questions to ask at a historic site.
1. When did this location become a historic site? (When was the marker or monument put up? Or the house interpreted?) How did that time differ from ours? From the time of the event or person interpreted?
2. Who sponsored it? representing which participant groups’s point of view? What was their position in the social structure when the event occurred? When the site went “up”?
3. What were the sponsor’s motives? What were their ideological needs and social purposes? What were their values?
4. What is the intended audience for the site? What values were they trying to leave for us, today? What does the site ask us to go and do or think about?
5. Did the sponsors have government support? At what level? Who was ruling the government at the time? What ideological arguments were used to get the government acquiescence?
6. Who is left out? What points of view go largely unheard? How would the story differ if a different group told it? Another political party? Race? Sex? Class? Religious group?
7. Are there problematic (insulting, degrading) words or symbols that would not be used today, or by other groups?
8. How is the site used today? Do traditional rituals continue to connect today’s public to it? Or is it ignored? Why?
9. Is the presentation accurate? What actually happened? What historical sources tell of the event, people, or period commemorated at this site?
10. How does the site fit in with others that treat the same era? Or subject? What other people lived ad events happened then but are not commemorated? Why?
Travel across the United States in a 1965 Airstream Trailer as filmmaker Tom Trinley visits historic sites and monuments unveiling the many sides of history not told on the landscape or in history books. On-camera appearances by Howard Zinn, James Loewen, Lonnie Bunch and Adam “Fortunate Eagle” Nordwall. Inspired by “Lies My Teacher Told Me” and “A Peoples’ History of the United States.”
At the Un-National Monument along the Canadian Border
By William E. Stafford
This is the field where the battle did not happen,
where the unknown soldier did not die.
This is the field where grass joined hands,
where no monument stands,
and the only heroic thing is the sky.
Birds fly here without any sound,
unfolding their wings across the open.
No people killed—or were killed—on this ground
hallowed by neglect and an air so tame
that people celebrate it by forgetting its name.
Of princes, shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone besmear’d with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war’s quick fire shall burn
The living record of your memory.
–William Shakespeare, from Sonnet 55
Listen to this song!
And we find it really hard to say we’re sorry
So the shadow of injustice still remains
We build monuments to those who died in battle
But we seldom speak of those who died in chains